Department of Global and Interdisciplinary Studies

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LIT100ZA(文学 / Literature 100)
General Topics I: The History of American Comics

Evan Davis

Class code etc
Faculty/Graduate school Department of Global and Interdisciplinary Studies
Attached documents
Year 2024
Class code A6192
Previous Class code
Previous Class title
Term 春学期授業/Spring
Day/Period 月2/Mon.2
Class Type
Campus 市ヶ谷 / Ichigaya
Classroom name 市富士‐F506
Grade 1~4
Credit(s) 2
Notes
Open Program
Open Program (Notes)
Global Open Program
Interdepartmental class taking system for Academic Achievers
Interdepartmental class taking system for Academic Achievers (Notes)
Class taught by instructors with practical experience
SDGs CP
Urban Design CP
Diversity CP
Learning for the Future CP
Carbon Neutral CP
Chiyoda Campus Consortium
Duplicate Subjects Taken Under Previous Class Title
Category (commenced 2024 onwards) 100-level Introductory Courses(入門)
Linguistics-Literature
Category (commenced 2020-2023) 100-level Introductory Courses(入門)
Humanities
Category (commenced 2016-2019) 100-level Introductory Courses
Arts and Literature

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Outline and objectives

This class will introduce students to American comics and graphic novels, from their emergence in the Sunday newspapers of the 1890s to their current flourishing. In the first half of the term, we will survey the history of American comics from their first appearance to the mid-century comics code and to the countercultural response of cartoonists of the 1970s. During these weeks, we will also develop a critical framework that will enable students to analyze the formal features of comics and to place those comics in their historical context. We will then turn to important graphic novels that have appeared in recent decades.

Goal

In addition to learning about the history of American comics and about the current landscape of graphic novels, students will strengthen their abilities to think critically and to analyze the interplay between text and image. Throughout the semester students will: 1) learn about the historical evolution of American comics from their origins in the 1890s to the emergence of contemporary graphic novels; 2) improve their ability to analyze graphic works written in English; 3) explain how key social and cultural factors have shaped the development of comics and graphic novels.

Which item of the diploma policy will be obtained by taking this class?

Will be able to gain “DP 1”, “DP 2”, “DP 3”, and “DP 4”

Default language used in class

英語 / English

Method(s)(学期の途中で変更になる場合には、別途提示します。 /If the Method(s) is changed, we will announce the details of any changes. )

Classes will emphasize discussion and group work, with short lectures interspersed to provide historical and analytical context about the assigned readings. Each week students will 1) read comics or excerpts from graphic novels provided by the instructor, and 2) write a 200-word reading reaction based on a prompt. Discussions will draw upon these prompts to help the students develop their critical and analytical skills. Students will be assessed on their understanding of the class material through their reactions, a presentation, and a final paper. Students will receive feedback in class and in written form, based on a grading rubric.

Active learning in class (Group discussion, Debate.etc.)

あり / Yes

Fieldwork in class

なし / No

Schedule

授業形態/methods of teaching:対面/face to face

※各回の授業形態は予定です。教員の指示に従ってください。

1[対面/face to face]:Introduction

Overview of American Comics and Graphic Novels

2[対面/face to face]:Formalist Strategies of Reading

Interpreting the Word/Image Relationship

3[対面/face to face]:Early American Comics

Winsor McCay, George Herriman, Frank King

4[対面/face to face]:Mid-century Comics

Horror, Crime, and the Creation of the Comics Code Authority

5[対面/face to face]:Mid-century Superheroes

Superman, Batman, Spiderman

6[対面/face to face]:1970s Transformations

Underground and Alternative Comics

7[対面/face to face]:Breakthrough Graphic Novels I

Art Spiegelman’s Maus

8[対面/face to face]:Breakthrough Graphic Novels II

Alan Moore and Dave Gibbons’ Watchmen

9[対面/face to face]:Comic World Building

Chris Ware’s Building Stories

10[対面/face to face]:Autobiographical Comics

Allie Brosh’s Hyperbole and a Half

11[対面/face to face]:Graphic Medicine

Peter Dunlap-Shohl's My Degeneration

12[対面/face to face]:Graphic Fiction

Emil Ferris's My Favorite Thing is Monsters

13[対面/face to face]:Class Presentations

Class Presentations

14[対面/face to face]:Class presentations and review for final paper

Class presentations and review for final paper

Work to be done outside of class (preparation, etc.)

Preparatory study and review time for this class are two hours each. To prepare, students will 1) read comics or excerpts from graphic novels provided by the instructor, and 2) write a 200-word reading reaction based on a prompt.

Textbooks

No textbook will be used. Handouts and reading materials will be provided by the lecturer.

References

Carlin, John, et al. Masters of American Comics. Yale, 2005.
Chute, Hillary. Why Comics? From Underground to Everywhere. Harper Collins, 2017.
Hatfield, Charles, and Bart Beaty. Comics Studies: A Guidebook. Rutgers, 2020.
McCloud, Scott. Understanding Comics. HarperCollins, 1994.

Grading criteria

Reading Reactions 40%
Presentation 15%
Final paper 45%

Changes following student comments

Nothing in particular.

Prerequisite

None