Department of Global and Interdisciplinary Studies

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LIT300ZA(文学 / Literature 300)
Special Topics I: American Satire

Evan Davis

Class code etc
Faculty/Graduate school Department of Global and Interdisciplinary Studies
Attached documents
Year 2024
Class code A6359
Previous Class code
Previous Class title
Term 春学期授業/Spring
Day/Period 月3/Mon.3
Class Type
Campus 市ヶ谷 / Ichigaya
Classroom name 市外濠‐S402
Grade 3~4
Credit(s) 2
Notes
Open Program
Open Program (Notes)
Global Open Program
Interdepartmental class taking system for Academic Achievers
Interdepartmental class taking system for Academic Achievers (Notes)
Class taught by instructors with practical experience
SDGs CP
Urban Design CP
Diversity CP
Learning for the Future CP
Carbon Neutral CP
Chiyoda Campus Consortium
Duplicate Subjects Taken Under Previous Class Title
Category (commenced 2024 onwards) 300-level Advanced Courses(上級)
Category (commenced 2020-2023) 300-level Advanced Courses(上級)
Category (commenced 2016-2019) 300-level Advanced Courses
Arts and Literature

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Outline and objectives

Few literary forms are more wed to the world around them than satire, which ridicules cultural vices through irony and exaggeration. Studying American satire, then, means studying the historical norms, attitudes, and actions that it attacks. We will begin the course by learning to identify and interpret the satiric tools of parody, caricature, and irony. We will then examine how American satire from Mark Twain to contemporary writers has taken on the American Dream, religion, war, and gender. While the course will focus on literary satire, it will also explore satire in a variety of contemporary media, including tv animation, comics, and film. Because of its focus on culturally specific irony, the course offers students a vehicle to deepen their understanding of the subtleties of English and the paradoxes of American culture.

Goal

As they become acquainted with American satire, students will develop critical thinking and analytical skills. They will learn 1) to identify the various satiric tools of parody, caricature, and irony, 2) to analyze how these tools are employed in American satire to critique cultural norms and values, 3) to compare and contrast the different ways in which American satire has addressed issues such as war, religion, gender, and the American dream, and 4) to communicate their insights effectively in written and oral form.

Which item of the diploma policy will be obtained by taking this class?

Will be able to gain “DP 1”, “DP 2”, “DP 3”, and “DP 4”.

Default language used in class

英語 / English

Method(s)(学期の途中で変更になる場合には、別途提示します。 /If the Method(s) is changed, we will announce the details of any changes. )

Classes will emphasize discussion and group work, with lectures interspersed to provide historical and analytical context about the assigned readings. Each week students will be provided with 1) short stories, excerpts from longer works, or animation, and 2) a prompt to consider before class. They will write a response of at least 200 words before class. Discussions will draw upon these prompts to help the students develop their critical and analytical skills. Students will be assessed on their understanding of the class material through their reading responses, a presentation, and a final paper. Students will receive feedback in class and in written form, based on a grading rubric.

Active learning in class (Group discussion, Debate.etc.)

あり / Yes

Fieldwork in class

なし / No

Schedule

授業形態/methods of teaching:対面/face to face

※各回の授業形態は予定です。教員の指示に従ってください。

1[オンライン/online]:Introduction to the Form

What is Satire?

2[対面/face to face]:Tools of Satire I

Parody and Caricature

3[対面/face to face]:Tools of Satire II

Irony

4[対面/face to face]:Satirizing the American Dream I

The Myth of Horatio Alger and Nathanael West’s Cool Million

5[対面/face to face]:Satirizing the American Dream II

The Simpsons: “Much Apu about Nothing”

6[対面/face to face]:Satirizing the American Dream III

Kurt Vonnegut, “Harrison Bergeron”

7[対面/face to face]:Satirizing the American Dream IV

American Film

8[対面/face to face]:Satirizing Gender I

Gary Shteyngart, "Lenny Hearts Eunice"

9[対面/face to face]:Satirizing Gender II

The Simpsons, “Homer’s Phobia”

10[対面/face to face]:Satirizing War

Mark Twain, “The War Prayer”

11[対面/face to face]:Satire as Public Pedagogy

Steven Colbert and John Stewart

12[対面/face to face]:Thinking and Writing Satirically

Drafting Satire

13[対面/face to face]:Class Presentations

Presentations

14[対面/face to face]:Review for Final Paper

Review

Work to be done outside of class (preparation, etc.)

Preparatory study and review time for this class are two hours each. To prepare, students will read or watch satires and then write a 200-word response to a prompt that will be provided in advance. These responses will form the basis of our class discussions.

Textbooks

No textbook will be used. Handouts and reading materials will be provided by the lecturer.

References

Bakalar, Nicholas. American Satire: An Anthology of Writings from the Colonial Times to the Present. Meridian, 1997.
Greenberg, Jonathan. The Cambridge Introduction to Satire. Cambridge, 2019.

Grading criteria

Reading Responses 40%
Presentation 15%
Final paper 45%

Changes following student comments

None.

Prerequisite

None.