GISDepartment of Global and Interdisciplinary Studies
LIT300ZA（文学 / Literature 300）Realism and CinemaRealism and Cinema
Catherine Munroe Hotes
授業コードなどClass code etc
| 学部・研究科Faculty/Graduate school | GISDepartment of Global and Interdisciplinary Studies |
| 添付ファイル名Attached documents | |
| 年度Year | 2024 |
| 授業コードClass code | A6317 |
| 旧授業コードPrevious Class code | |
| 旧科目名Previous Class title | (Fact and Fiction in the Movies) |
| 開講時期Term | 秋学期授業/Fall |
| 曜日・時限Day/Period | 水1/Wed.1 |
| 科目種別Class Type | |
| キャンパスCampus | 市ヶ谷 / Ichigaya |
| 教室名称Classroom name | 市外濠‐S503 |
| 配当年次Grade | 3～4 |
| 単位数Credit(s) | 2 |
| 備考（履修条件等）Notes | |
| 他学部公開科目Open Program | |
| 他学部公開（履修条件等）Open Program (Notes) | |
| グローバル・オープン科目Global Open Program | |
| 成績優秀者の他学部科目履修制度対象Interdepartmental class taking system for Academic Achievers | ○ |
| 成績優秀者の他学部科目履修（履修条件等）Interdepartmental class taking system for Academic Achievers (Notes) | 制度ウェブサイトの3．科目別の注意事項(1)GIS主催科目の履修上の注意を参照すること。 |
| 実務経験のある教員による授業科目Class taught by instructors with practical experience | |
| SDGsCPSDGs CP | |
| アーバンデザインCPUrban Design CP | |
| ダイバーシティCPDiversity CP | |
| 未来教室CPLearning for the Future CP | |
| カーボンニュートラルCPCarbon Neutral CP | |
| 千代田コンソ単位互換提供（他大学向け）Chiyoda Campus Consortium | |
| 旧科目との重複履修Duplicate Subjects Taken Under Previous Class Title | × |
| カテゴリー（2024年度以降入学者）Category (commenced 2024 onwards) | 300-level Advanced Courses（上級） |
| カテゴリー（2020～2023年度入学者）Category (commenced 2020-2023) | |
| カテゴリー（2016～2019年度入学者）Category (commenced 2016-2019) |
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授業の概要と目的（何を学ぶか）Outline and objectives
This course will examine how reality is depicted on film, from the advent of cinema to contemporary forms of online media. We will look at how the tropes of documentary fiction and non-fiction were developed and changed with new technologies.
到達目標Goal
Students will learn documentary film theory and narrative film theory with particular emphasis on how cinematography, mise-en-scène, sound, editing and other techniques are used by filmmakers in both fiction and non-fiction films to give the impression of realism. We will also discuss the ethics of depicting the lives of real people and events on film. Students will learn to engage critically with media and learn how to determine fact from fiction.
この授業を履修することで学部等のディプロマポリシーに示されたどの能力を習得することができるか（該当授業科目と学位授与方針に明示された学習成果との関連）Which item of the diploma policy will be obtained by taking this class?
Will be able to gain “DP 1”, “DP 2”, “DP 3”, and “DP 4”.
授業で使用する言語Default language used in class
英語 / English
授業の進め方と方法Method(s)（学期の途中で変更になる場合には、別途提示します。 /If the Method(s) is changed, we will announce the details of any changes. ）
Lecture, readings, film analysis, quizzes, group work, exam, and essay writing.
Lectures take a hybrid form that actively encourages student participation in discussion.
Submission of assignments and feedback will be via the Learning Management System or Google Classroom.
アクティブラーニング（グループディスカッション、ディベート等）の実施Active learning in class (Group discussion, Debate.etc.)
あり / Yes
フィールドワーク（学外での実習等）の実施Fieldwork in class
なし / No
授業計画Schedule
授業形態/methods of teaching：対面/face to face
※各回の授業形態は予定です。教員の指示に従ってください。
1[オンライン/online]：Course Introduction & Introduction to Documentary Theory
Course introduction & Introduction to Documentary Theory
2[対面/face to face]：Kino Pravda
Man with a Movie Camera (Dziga Vertov, 1929)
3[対面/face to face]：Docudrama
Nanook of the North (Robert J. Flaherty, 1922)
4[対面/face to face]：Propaganda
Triumph of the Will (Triumph des Willens, Leni Riefenstahl, 1935)
5[対面/face to face]：Ethnographic Filmmaking & Indigenous Perspectives
Selection of National Film Board of Canada shorts
6[対面/face to face]：Introduction to Direct Cinema & Cinéma Vérité
Cinéma Vérité: Defining the Moment (Peter Wintonick, 1999)
7[対面/face to face]：Docufiction, Direct Cinema, Cinéma Vérité
Chronique d'un été (Jean Rouch & Edgar Morin, 1961) and NFB shorts
8[対面/face to face]：First Person Narration
Waiting for Fidel (Michael Rubbo, 1974)
9[対面/face to face]：Activist Cinema: Studio D
Our Dear Sisters (Kathleen Shannon, 1975), Sisters in the Struggle (Dionne Brand & Ginny Stikeman, 1991)
10[対面/face to face]：Biographical Films (BioPics)
Selected biopics about the lives of women
11[対面/face to face]：Historical Dramas
Braveheart (Mel Gibson, 1995), The Favourite (Yorgos Lanthimos, 2018)
12[対面/face to face]：Reality TV
The Thin Blue Line (Errol Morris,1998),The Truman Show (Peter Weir, 1988), The Hunger Games (clips)
13[対面/face to face]：Animated Documentaries: Capturing Psychological Reality on Film
A selection of animated films from the 2000s & 2010s
14[対面/face to face]：How AI is changing Cinematic Reality
A selection of clips from The Lord of the Rings to The Mandalorian.
Final Paper Due
授業時間外の学習（準備学習・復習・宿題等）Work to be done outside of class (preparation, etc.)
Reading academic texts and answer comprehension questions (4 hours each week). The estimated preparation time includes watching video clips.
テキスト（教科書）Textbooks
Nichols, Bill. Introduction to Documentary. 3rd ed. Bloomington: Bloomington UP, 2017. (available as an ebook)
参考書References
Bordwell, David. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley: U of California P, 2006.
Bordwell, David, Kristin Thompson and Jeff Smith. Film Art: An Introduction. 12th ed. New York: McGraw-Hill, 2019.
Other materials will be made available using online library resources or shared files.
成績評価の方法と基準Grading criteria
Tasks/Quizzes (5 x 10%), Essay (30%), Participation (20%)
学生の意見等からの気づきChanges following student comments
Not applicable.
学生が準備すべき機器他Equipment student needs to prepare
Students should bring their device (laptop, tablet, et al.) to class in order to refer to course readings if necessary.
その他の重要事項Others
Enrollment is limited to 3rd and 4th year students.
Prerequisite
None