GISDepartment of Global and Interdisciplinary Studies
ART300ZA（芸術学 / Art studies 300）East Asian CinemaEast Asian Cinema
Kukhee Choo
授業コードなどClass code etc
| 学部・研究科Faculty/Graduate school | GISDepartment of Global and Interdisciplinary Studies |
| 添付ファイル名Attached documents | |
| 年度Year | 2024 |
| 授業コードClass code | A6311 |
| 旧授業コードPrevious Class code | |
| 旧科目名Previous Class title | |
| 開講時期Term | 春学期授業/Spring |
| 曜日・時限Day/Period | 金2/Fri.2 |
| 科目種別Class Type | |
| キャンパスCampus | 市ヶ谷 / Ichigaya |
| 教室名称Classroom name | 市外濠‐S203 |
| 配当年次Grade | 3～4 |
| 単位数Credit(s) | 2 |
| 備考（履修条件等）Notes | |
| 他学部公開科目Open Program | |
| 他学部公開（履修条件等）Open Program (Notes) | |
| グローバル・オープン科目Global Open Program | |
| 成績優秀者の他学部科目履修制度対象Interdepartmental class taking system for Academic Achievers | ○ |
| 成績優秀者の他学部科目履修（履修条件等）Interdepartmental class taking system for Academic Achievers (Notes) | 制度ウェブサイトの3．科目別の注意事項(1)GIS主催科目の履修上の注意を参照すること。 |
| 実務経験のある教員による授業科目Class taught by instructors with practical experience | |
| SDGsCPSDGs CP | |
| アーバンデザインCPUrban Design CP | |
| ダイバーシティCPDiversity CP | |
| 未来教室CPLearning for the Future CP | |
| カーボンニュートラルCPCarbon Neutral CP | |
| 千代田コンソ単位互換提供（他大学向け）Chiyoda Campus Consortium | |
| 旧科目との重複履修Duplicate Subjects Taken Under Previous Class Title | |
| カテゴリー（2024年度以降入学者）Category (commenced 2024 onwards) | 300-level Advanced Courses（上級） |
| カテゴリー（2020～2023年度入学者）Category (commenced 2020-2023) | 300-level Advanced Courses（上級） |
| カテゴリー（2016～2019年度入学者）Category (commenced 2016-2019) |
300-level Advanced Courses Culture and Society |
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授業の概要と目的（何を学ぶか）Outline and objectives
This course offers a historical and comparative study of new cinemas in East Asia. Focusing on the most exemplifying new-wave films from Japan, Taiwan, Hong Kong, China, and South Korea, this course will explore various social, political, economic, and aesthetic factors which have shaped the structure and character of new-wave cinemas in East Asia. We will visit critically acclaimed films by directors such as Nagisa Oshima, Hou Hsiao-hien, Tsai Ming-liang, Wong Kar-wai, Chen Kaige, Jia Zangke, and Bong Joon-ho. Through close-textual analysis of each film, students will examine various social and cultural influences at work on each director’s work, ranging from nationalism and postcolonialism to sexism, heterosexism, capitalism, and globalization.
到達目標Goal
After completing this course, students will be able to:
•Gain a historical understanding of the rise of new-wave films in East Asia.
•Become familiar with key social issues and the surrounding discourses in each country.
•Investigate the connections between cinema and society and look critically at the various modes of representation and ideologies.
•Improve their ability to analyze a film text in terms of aesthetics, styles, genres, and technology.
•Develop their own research interest and communicate the findings to others effectively.
この授業を履修することで学部等のディプロマポリシーに示されたどの能力を習得することができるか（該当授業科目と学位授与方針に明示された学習成果との関連）Which item of the diploma policy will be obtained by taking this class?
Will be able to gain “DP 1”, “DP 2”, “DP 3”, and “DP 4”.
授業で使用する言語Default language used in class
英語 / English
授業の進め方と方法Method(s)（学期の途中で変更になる場合には、別途提示します。 /If the Method(s) is changed, we will announce the details of any changes. ）
Classes will be discussion-based, with visual material such as clips of films and videos. Each week students will be provided with an academic reading relevant to the topic. These readings will be important background information and/or will be directly addressed as the topic of the class content and discussion. Discussions based on the reading material will be facilitated by questions from the instructor to help the students explore and develop their critical and analytical skills for that topic. Feedback will be given throughout the course via discussion topics. Students will be assessed on their understanding of the readings and discussions through their midterm and final papers.
アクティブラーニング（グループディスカッション、ディベート等）の実施Active learning in class (Group discussion, Debate.etc.)
あり / Yes
フィールドワーク（学外での実習等）の実施Fieldwork in class
なし / No
授業計画Schedule
授業形態/methods of teaching：対面/face to face
※各回の授業形態は予定です。教員の指示に従ってください。
1[オンライン/online]：The Rise of New Cinema Movement: French New Wave
Timothy Corrigan’s A Short Guide to Writing about Film (Chapter 1 and 2)
2[対面/face to face]：Japan: Nagisa Oshima (1932-2013) and The Japanese New Wave
Night and Fog in Japan (1960)
3[対面/face to face]：Japan: Shohei Imamura (1926-2006)
Pigs and Battleships (1961)
4[対面/face to face]：Japan: Hiroshi Teshigahara (1927-2001)
Woman in the Dunes (1964)
5[対面/face to face]：Taiwan: Hou Hsiao-hsien (1947) and Taiwan New Cinema (first wave)
A City of Sadness (1989)
6[対面/face to face]：Taiwan: Edward Yang (1947-2007)
A Brighter Summer Day (1991)
7[対面/face to face]：Taiwan: Tsai Ming-liang (1957) and Taiwan New Cinema (second wave)
Vive L’Amour (1994)
8[対面/face to face]：Hong Kong: Ann Hui (1947)
Song of the Exile (1990)
9[対面/face to face]：Hong Kong: Wong Kar-wai (1958)
Chungking Express (1994)
10[対面/face to face]：China: Zhang Yimou (1950) and The Rise of The Fifth Generation
Raise the Red Lantern (1991)
11[対面/face to face]：China: Chen Kaige (1952)
Farewell My Concubine (1993)
12[対面/face to face]：China: Jia Zhangke (1970) and The Sixth Generation
Still Life (2006)
13[対面/face to face]：South Korea: Lee Chang-dong (1954) and The Korean Wave (Hallyu)
Oasis (2002)
14[対面/face to face]：South Korea: Bong Joon-ho (1969)
Memories of Murder (2003)
授業時間外の学習（準備学習・復習・宿題等）Work to be done outside of class (preparation, etc.)
Students should complete the assigned readings before each class and study the notes they take in class. Preparatory study and review time for this class are total 5 hours (2 hours for at-home film viewing and 3 hours for reading assigned articles).
テキスト（教科書）Textbooks
No textbook will be required as readings will be provided by the instructor.
参考書References
Assigned articles will be uploaded to HOPPII.
成績評価の方法と基準Grading criteria
Minimum absences (10%)
Reading/viewing assignments (20%)
Participation behavior (20%)
Midterm paper(20%)
Final paper (30%)
学生の意見等からの気づきChanges following student comments
Not applicable
学生が準備すべき機器他Equipment student needs to prepare
Pen and paper notebook. Students are not allowed to use computers, tablets or smartphones in this class so students must take hand-written notes in class. They must also bring hard copies of the required readings to class.
その他の重要事項Others
Do not miss the first class as a selection process may occur. Students will not be accepted from the second week.
The content of this syllabus may be subject to change. Any changes in the syllabus will be notified during class and a new syllabus will be updated on HOPPII.
Prerequisite
This course requires students to have intermediate knowledge of the history of cinema.