GISDepartment of Global and Interdisciplinary Studies
ART100ZA（芸術学 / Art studies 100）Introduction to Film StudiesIntroduction to Film Studies
Kukhee Choo
授業コードなどClass code etc
| 学部・研究科Faculty/Graduate school | GISDepartment of Global and Interdisciplinary Studies |
| 添付ファイル名Attached documents | |
| 年度Year | 2024 |
| 授業コードClass code | A6121 |
| 旧授業コードPrevious Class code | |
| 旧科目名Previous Class title | (Film Theory and Analysis) |
| 開講時期Term | 秋学期授業/Fall |
| 曜日・時限Day/Period | 金4/Fri.4 |
| 科目種別Class Type | |
| キャンパスCampus | 市ヶ谷 / Ichigaya |
| 教室名称Classroom name | 市富士‐F404 |
| 配当年次Grade | 1～4 |
| 単位数Credit(s) | 2 |
| 備考（履修条件等）Notes | |
| 他学部公開科目Open Program | |
| 他学部公開（履修条件等）Open Program (Notes) | |
| グローバル・オープン科目Global Open Program | |
| 成績優秀者の他学部科目履修制度対象Interdepartmental class taking system for Academic Achievers | |
| 成績優秀者の他学部科目履修（履修条件等）Interdepartmental class taking system for Academic Achievers (Notes) | |
| 実務経験のある教員による授業科目Class taught by instructors with practical experience | |
| SDGsCPSDGs CP | |
| アーバンデザインCPUrban Design CP | |
| ダイバーシティCPDiversity CP | |
| 未来教室CPLearning for the Future CP | |
| カーボンニュートラルCPCarbon Neutral CP | |
| 千代田コンソ単位互換提供（他大学向け）Chiyoda Campus Consortium | |
| 旧科目との重複履修Duplicate Subjects Taken Under Previous Class Title | × |
| カテゴリー（2024年度以降入学者）Category (commenced 2024 onwards) |
100-level Introductory Courses（入門） Art-Media-Sociology |
| カテゴリー（2020～2023年度入学者）Category (commenced 2020-2023) | |
| カテゴリー（2016～2019年度入学者）Category (commenced 2016-2019) |
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授業の概要と目的（何を学ぶか）Outline and objectives
We live in a world where cinema dominates our everyday lives, whether we know it or not. Some skeptics view cinema as a dying medium, however, to the contrary, we are witnessing a new Renaissance of cinema with the rise of streaming platforms where media has become a ubiquitous part of our daily lives. This course introduces students to the terms and theories they need to know in order to analyze films in a more structural and critical manner. Lectures, in-class discussions, and assignments are designed to help students understand issues raised within film studies, and make sense of the films they encounter in their everyday lives.
到達目標Goal
1.Students will develop analytical skills in reading cinematic texts.
2.Students will learn key theories, terms, and arguments of film studies.
3.Students will develop discussion skills to exchange ideas with others.
4.Students will become familiar with important films in the history of cinema.
この授業を履修することで学部等のディプロマポリシーに示されたどの能力を習得することができるか（該当授業科目と学位授与方針に明示された学習成果との関連）Which item of the diploma policy will be obtained by taking this class?
Will be able to gain “DP 1”, “DP 2”, “DP 3”, and “DP 4”.
授業で使用する言語Default language used in class
英語 / English
授業の進め方と方法Method(s)（学期の途中で変更になる場合には、別途提示します。 /If the Method(s) is changed, we will announce the details of any changes. ）
Each week will focus upon a different concept within film studies and instruct students on how to apply that topic to individual texts. Along the way, students will familiarize themselves with landmark films, filmmakers, filmic technologies, and filmmaking traditions by studying cinema from various eras, genres, and industries.
Classes combine lectures, film clips, discussions, analytical exercises, and student presentations. In addition, students will conduct research projects. As the history of cinema covers approximately 120 years and involves many regions, the list of the films examined in this course is eclectic. Some examples are as follows: A Trip to the Moon (1902), The Battleship Potemkin (1925), Citizen Kane (1941), Bambi (1942), Singing in the Rain (1952), Tokyo Story (1953), Psycho (1960), and Nobody Knows (2004).
アクティブラーニング（グループディスカッション、ディベート等）の実施Active learning in class (Group discussion, Debate.etc.)
あり / Yes
フィールドワーク（学外での実習等）の実施Fieldwork in class
なし / No
授業計画Schedule
授業形態/methods of teaching：対面/face to face
※各回の授業形態は予定です。教員の指示に従ってください。
1[オンライン/online]：Introduction
Overview, objectives, and limitations
2[対面/face to face]：Early films and theories
Lumiere brothers, Thomas Edison, Andre Bazin, etc.
3[対面/face to face]：Film Topics 1
Mise-en-scène
4[対面/face to face]：Film Topics 2
Cinematography
5[対面/face to face]：Film Topics 3
Editing
6[対面/face to face]：Film Topics 4
Sound
7[対面/face to face]：Midterm review
Student presentations
8[対面/face to face]：Film Topics 5
Narrative
9[対面/face to face]：Film Topics 6
Genre
10[対面/face to face]：Film Topics 7
Animation films
11[対面/face to face]：Film Topics 8
Auteur
12[対面/face to face]：Film Topics 9
National cinema and film festivals
13[対面/face to face]：Final review
Student presentations
14[対面/face to face]：Final review
Student presentations
授業時間外の学習（準備学習・復習・宿題等）Work to be done outside of class (preparation, etc.)
Students will view films, take viewing notes, and read essays in preparation for class sessions. Students will conduct research, deliver a midterm and final presentation. Preparatory study and review time for this class are 4 hours each.
テキスト（教科書）Textbooks
Corrigan, Timothy and Patricia White. The Film Experience: An Introduction. Sixth edition. Boston: Bedford/St. Martin's, 2021.
参考書References
Students must purchase the textbook and read each assigned chapter before class. Additional reading material will be uploaded to HOPPII.
成績評価の方法と基準Grading criteria
Class participation (10%)
Film viewing notes (20%)
Asking questions, speaking up during class discussions, and participation behavior (20%)
Midterm presentation (20%)
Final presentation (30%)
学生の意見等からの気づきChanges following student comments
Not applicable.
学生が準備すべき機器他Equipment student needs to prepare
Pen and paper notebook. Students are not allowed to use computers, tablets or smartphones in this class so students must take hand-written notes in class. They must also bring hard copies of the textbook or required readings to class.
その他の重要事項Others
Do not miss the first class as a selection process may occur. The content of this syllabus may be subject to change.
Prerequisite
None.