IGESS (Institute for Global Economics and Social Sciences)

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LIT300ZA(文学 / Literature 300)
Creative Writing

Gregory KHEZRNEJAT

Class code etc
Faculty/Graduate school IGESS (Institute for Global Economics and Social Sciences)
Attached documents
Year 2021
Class code A6305
Previous Class code
Previous Class title
Term 秋学期授業/Fall
Day/Period 月3/Mon.3
Class Type
Campus 市ヶ谷 / Ichigaya
Classroom name
Grade 3~4
Credit(s) 2
Notes
Open Program
Open Program (Notes)
Global Open Program
Interdepartmental class taking system for Academic Achievers
Interdepartmental class taking system for Academic Achievers (Notes)
Class taught by instructors with practical experience
SDGs CP
Urban Design CP
Diversity CP
Learning for the Future CP
Carbon Neutral CP
Chiyoda Campus Consortium
Category General Education Courses/総合教育科目
Global Open Program/グローバルオープン科目
Faculty Sponsored Department Global and Interdisciplinary Studies

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Outline and objectives

How does a good short story create an emotional reaction in the reader? How can we learn to use those techniques in our own writing? In this workshop-based course, students will be introduced to the basic skills, tools, and theory of short narrative prose writing, both through reading short stories and composing and editing an original piece of writing over the course of the semester. We will focus on fundamental elements of traditional short fiction, such as characters, dialogue, and narrative viewpoint. Students will also learn about the processes of planning, composing, editing, and revision. This course is designed for varying levels of English ability and writing ability, and will include special emphasis on the composition of fiction in a second language.

Goal

Students will learn and apply the fundamental techniques of writing short stories. Students will also become more critical readers by developing an awareness of the technical elements of prose writing.

Default language used in class

英語 / English

Method(s)(学期の途中で変更になる場合には、別途提示します。 /If the Method(s) is changed, we will announce the details of any changes. )

Classes will consist of lectures followed by short discussions and writing practice. Additionally, classes will include workshops in which students read and respond to stories composed by their peers. In-class feedback will be given for daily reaction papers, and students will receive personal feedback on drafts of their story.

Active learning in class (Group discussion, Debate.etc.)

あり / Yes

Fieldwork in class

なし / No

Schedule

※各回の授業形態は予定です。教員の指示に従ってください。

1:Introduction

Introduction to the course and selection exam

2:Writing Fiction in a Second Language

The benefits and challenges of composing fiction in a second language

3:Getting Started

Planning a story and finding a starting point for the first draft

4:Viewpoint

Determining narrative viewpoint

5:Characters

Constructing believable characters

6:Plot

Structures for building and resolving narrative tension

7:Scene Construction

Building stand-alone scenes

8:Editing and Revision

Basic techniques for editing and revising the first draft

9:Dialogue

Writing realistic dialogue in diverse voices

10:Themes

Finding and polishing thematic elements within a draft

11:Workshop (1)

Students read and respond to stories by their classmates

12:Workshop (2)

Students read and respond to stories by their classmates

13:Workshop (3)

Students read and respond to stories by their classmates

14:Final Synthesis

A review of the major themes of the course

Work to be done outside of class (preparation, etc.)

Students must complete assigned readings for each class. In addition, students will compose, revise, and present a piece of short fiction. Preparatory study and review time for this class are 2 hours each.

Textbooks

Readings will be provided as handouts in class.

References

Strunk, William, and E.B. White. The Elements of Style (4th Edition). Pearson, 1999.
Forster, E. M. Aspects of the Novel. Penguin, 2005.

Grading criteria

Class contribution and short assignments (30%), reader feedback (20%), first short story draft (20%), revised short story draft (30%)

Changes following student comments

None.

Prerequisite

None.