IGESSIGESS (Institute for Global Economics and Social Sciences)
ART200EA(芸術学 / Art studies 200)Special Topics in Media and Cultural StudiesSpecial Topics in Media and Cultural Studies
高 美哿Mika KO
授業コードなどClass code etc
学部・研究科Faculty/Graduate school | IGESSIGESS (Institute for Global Economics and Social Sciences) |
添付ファイル名Attached documents | |
年度Year | 2024 |
授業コードClass code | LZ007 |
旧授業コードPrevious Class code | |
旧科目名Previous Class title | |
開講時期Term | 秋学期授業/Fall |
曜日・時限Day/Period | 月2/Mon.2 |
科目種別Class Type | |
キャンパスCampus | 多摩 |
教室名称Classroom name | 社408 |
配当年次Grade | 2~4 |
単位数Credit(s) | 2 |
備考(履修条件等)Notes | |
他学部公開科目Open Program | |
他学部公開(履修条件等)Open Program (Notes) | |
グローバル・オープン科目Global Open Program | ○ |
成績優秀者の他学部科目履修制度対象Interdepartmental class taking system for Academic Achievers | |
成績優秀者の他学部科目履修(履修条件等)Interdepartmental class taking system for Academic Achievers (Notes) | |
実務経験のある教員による授業科目Class taught by instructors with practical experience | |
SDGsCPSDGs CP | |
アーバンデザインCPUrban Design CP | |
ダイバーシティCPDiversity CP | |
未来教室CPLearning for the Future CP | |
カーボンニュートラルCPCarbon Neutral CP | |
千代田コンソ単位互換提供(他大学向け)Chiyoda Campus Consortium | |
カテゴリーCategory |
Advanced Courses/専門科目 Disciplinary Courses/IGESS科目 Ⅵ. Media, Communication and Culture |
科目主催学部Faculty Sponsored Department | 社会Social Sciences |
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授業の概要と目的(何を学ぶか)Outline and objectives
The course will critically examine key issues and themes in the study of contemporary British and Irish cinema. Topics will include:
• Representations of the past and ‘Englishness’;
• Representations of London and North England;
• Representations of ethnicity, class, and gender in contemporary British cinema;
• British Asian cinema;
• Dominant cinematic images of Ireland;
• Historical film and controversies;
• Representations of'The Troubles' in Northern Ireland.
到達目標Goal
At the end of the course, the students are expected:
1) to have acquired a solid understanding in British and Irish culture and society;
2) to be able to critically assess the aesthetic, political, and representational strategies adopted by British and Irish filmmakers, respectively;
3) to understand and critically examine the social and political issues addressed in films.
授業で使用する言語Default language used in class
英語 / English
授業の進め方と方法Method(s)(学期の途中で変更になる場合には、別途提示します。 /If the Method(s) is changed, we will announce the details of any changes. )
This course is taught in 100 min weekly lectures.
A lecture deals with different films and topics every week. Before attending the lecture, the students are required to watch a designated film and complete the worksheet. Although the teaching is based on lectures, the students are expected to engage actively in the classroom discussions. In Week 6 and 13, the students are also required to give a short presentation (in a pair or a group). The feedback on the classroom discussions and presentation will be given to the students during the class.
アクティブラーニング(グループディスカッション、ディベート等)の実施Active learning in class (Group discussion, Debate.etc.)
あり / Yes
フィールドワーク(学外での実習等)の実施Fieldwork in class
なし / No
授業計画Schedule
授業形態/methods of teaching:対面/face to face
※各回の授業形態は予定です。教員の指示に従ってください。
Class 1[対面/face to face]:Introduction
Course overview
Class 2[対面/face to face]:Representing past in British ‘heritage’ cinema
Lecture:
Chariots of Fire (1981. Dir. Hugh Hudson)
Class 3[対面/face to face]:Representations of London in British cinema
Lecture:
Notting Hill (1999. Dir. Roger Michell)
Class 4[対面/face to face]:Multicultural identities and ‘British Asian cinema’
Lecture:
Bend It Like Beckham (2002. Dir. Gurinde Chadha)
Class 5[対面/face to face]:Representations of North England
Lecture:
Billy Elliot (2000. Dir. Stephen Daldry)
Class 6[対面/face to face]:Students’ presentations (British Cinema)
Students’ presentations and review on British cinema
Class 7[対面/face to face]:Screening: Michael Collins
Viewing & worksheet assignment
Class 8[対面/face to face]:Historical film and controversies
Lecture:
Michael Collins (1966. Dir. Neil Jordan)
Class 9[対面/face to face]:Dominant cinematic images of Ireland
Lecture:
The Quiet Man (1952. Dir. John Ford)
Class 10[対面/face to face]:Revisiting the traumatic past of Northern Ireland
Lecture:
Bloody Sunday (2002. Dir. Paul Greengrass)
Class 11[対面/face to face]:Screening: Mad about Mambo
Viewing & worksheet assignment
Class 12[対面/face to face]:Representing 'The Troubles' in Northern Ireland
Lecture:
Mad about Mambo (2000. John Forte)
Class 13[対面/face to face]:Students’ presentations (Irish and Northern Irish cinema)
Students’ presentations and review on Irish cinema
Class 14[対面/face to face]:Final Exam & Wrap-up
Consolidation and review
授業時間外の学習(準備学習・復習・宿題等)Work to be done outside of class (preparation, etc.)
Before attending the lecture, the students are required to watch a designated film and complete a worksheet. They are expected to spend 4 hours for each class to prepare and recap.
テキスト(教科書)Textbooks
John Hill, British Cinema in the 1980s (1999)
Martine McLoone, Irish Film (2000)
The reading materials will be provided.
参考書References
Recommended articles will be introduced in each class.
成績評価の方法と基準Grading criteria
1. Class preparation and participation in the classroom
discussion (30%)
2. Presentations (30%)
3. In-class examination (40%)
学生の意見等からの気づきChanges following student comments
N/A
学生が準備すべき機器他Equipment student needs to prepare
Students should have an equipment to watch assigned films. (PC, DVD player or tablet, etc.)